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The first series reconceives the design language of rugs from the Caucasus Mountain region, which feature bold geometric tribal motifs in reds and blues. Evoking the 19th century antique Shirvan, Kuba, and Kazak design language.
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The second series is pulling inspiration from a number of disparate regions, such as the billowy vines of Persian Sultanabads, antique Indian Agra rugs and their winding leaf and vine motifs as well as “Tree of Life” and other Bakshaish pieces.
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The Northern Persian rugs of Heriz and the beautiful Serapi inform the third series, with its geometric cornices and repeating vine work, and strong indigos. A diffuse segmented medallion also emerges from the middle, much like its inspirational counterparts.
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The fourth series is the most intricate, with a density and definition of pattern found in the Tabriz rugs of master weaver Hadji Jallili, or the intricate Farahan Saroughs of West Central Iran. Luxurious emeralds and golds—hues fit for the ancient palaces—decorate these rugs.
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The fifth and final series draws its saturated red and indigo hues, as well as its diminutive motifs, from the Balochistan tradition of Afghanistan. The designs evoke the famous styles of Khal Mohammadi, the legendary Afghani rug producer.